Workshop for pipers and fiddlers: 3-5pm. $30 general, $15 Pipers Club members (please contact bostonpipers@gmail.com if interested)
Concert: 8pm. $20 general, $10 Pipers Club and Canadian American Club members. Tickets at door only.
Will Woodson (flute, uilleann pipes) and Caitlin Finley (fiddle) play sparky and driving traditional Irish music that’s grounded in the textures and rhythms of the rich Irish-American soundscape of the 1920s and 30s. With roots in the living Irish musical cultures of Boston, New York City, and Philadelphia, and a tremendous admiration for the first generation of recorded Irish musicians, the duo conjure up the sounds of the dance halls, vaudeville theaters, and house sessions central to Irish-American music from the first half of the twentieth century. Their 2019 debut album, The Glory Reel, recorded with the brilliant Chris “Junior” Stevens on piano and button accordion, is full of swing, lift, and exuberance, drawing largely upon the repertoires of North Connacht and Ulster, regions that have had a significant impact upon the style and repertoire of the duo. The flute playing of John McKenna, the piping of Michael Carney and Patsy Touhey, the music of Donegal fiddle legends John and Mickey Doherty, and of course the foundational 78s of Coleman, Killoran, and Morrison are all at play here; a diverse set of influences that are channeled by the two into punchy, powerful, and joyous music.
Now residents of Portland, Maine, both members of the duo are natives of the East Coast of the United States, and are products of the region’s rich heritage and living culture of Irish music. Will and Caitlin first began playing together in New York City, but relocation to New England a few years later put them in the orbit of the thriving Boston scene. It was during this time that they established a compelling musical chemistry; a shared aural vocabulary and mental library of influences made their music come together in a way that felt easy and sounded right. A circuit of sessions and gigs between Boston and Portland, Maine quickly developed, and before long it became abundantly clear that the only thing to do was to record an album. The Glory Reel is the product.
Workshop description: Piping and Fiddling from the 1920s
The 1920s were a golden age for recordings of traditional Irish music in America, and a number of truly excellent pipers and fiddlers are featured on the many 78 records from the era. We’ll listen to a selection of tracks featuring notable piping and fiddling, both solo and in duet, and learn a few tunes from them. Particular attention will be paid to the stylistic and technical features that are hallmarks of the era, and we’ll look at the special relationship between the “American” style of pipers like Patsy Touhey, Michael Carney, and Tom Ennis, and the holy trinity of Sligo fiddlers Michael Coleman, James Morrison, and Paddy Killoran. This workshop is open to both pipers and fiddlers.